Lady Lilith by Dante Gabriel Rossetti (face enlarged)
THE HARLOT’S HOUSE
by: Oscar Wilde
E caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot’s house.
Inside, above the din and fray,
We heard the loud musicians play
The “Treues Liebes Herz” of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille.
The took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.
Then, turning to my love, I said,
“The dead are dancing with the dead,
The dust is whirling with the dust.”
But she–she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
‘The Harlot’s House’ was originally published in The Dramatic Review (April, 1885).
Lady Lilith, 1866-68 (altered 1872-73)
Dante Gabriel Rossetti (1828-1882)
Oil on canvas, 38 x 33 1/2 inches
Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935
Lilith, the subject of this painting, is described in Judaic literature as the first wife of Adam. She is associated with the seduction of men and the murder of children. The depiction of women as powerful and evil temptresses was prevalent in 19th-century painting, particularly among the Pre-Raphaelites. The artist depicts Lilith as an iconic, Amazon-like female with long, flowing hair. Her languid nature is reiterated in the inclusion of the poppy in the lower right corner—the flower of opium-induced slumber.
http://www.delart.org/collections/preraph/lady_lilith.html The Link is for the Delaware Art Museum
This is the first of my attempts to put together art, poetry, and music of the same period, in this case the late Nineteenth Century. The music is by Richard Strauss, Dance of the Seven Veils.